I noticed that today is the publication anniversary of Gone with the Wind.
Margaret Mitchell is an interesting person. She's far more interesting than any of the characters in her book, who are often pretty two-dimensional. Everyone picks a trait and spends the entire book defending it. Also, most of the characters are either completely self-serving reptiles, or inhumanly altruistic, good people with no capacity to do harm (except when they marry your fucking BOYFRIEND, MELANIE WILKES!) jk. She had him first, since after all they were cousins. Don't forget, this is a book about the south. Sorry, the South.
Anyway. One of the most obnoxious things MM did in her lifetime was make her husband pinky swear to burn all of her letters, papers and probably manuscripts upon her death, which he did. Unfortunate, since she was mowed down before her years by a car in Atlanta in 1949. She might've loosened up in her older years.
She should have written more, but I think she was too crippled by depression or bi-polarity or something to manage it. It is interesting, because she had the natural compulsion to write, which resulted in thousands of typed pages littering her home for years in disorganized stacks and piles - the fetal Gone with the Wind. She just had to get it out, but was afterward content to let it sit in obscurity save for the private audience of her husband. She only considered publishing it due to the frantic encouragement of select friends who had been permitted to read it. She seemed to have zero personal desire to do this and only did so out of weary acquiescence and a "what's the worst that can happen?" attitude. For those who don't know what happened, it became a best seller and the biggest book in the world for a long time, translated in to a jillion languages. She won a Pulitzer for it. It was a really big deal. And then the movie came out and was even bigger.
Maybe she only had one thing to say, or one story, and didn't want to tell it twice. Her lifetime very interestingly bridged two American eras. She was from a fancy Atlanta family whose tree was filled with Confederates and other casualties of the Civil War. She grew up listening to war stories on the knees of old vets, and she and her cousins would dig cannonballs and other gun fodder out of the grassy fields for fun. It was everywhere. It was not ancient history, and it wasn't from the victor's perspective. Maybe it was a story that needed to be told. Northern perspectives seem to have the war at the periphery, won and done; for southerners, it was an all together more personal ordeal, probably because they had to live inside the wreckage.
I disagree when subsequent generations take credit for historic events or treat them as parts of their own condition or experience after the reverberations have ended. Don't say "we". It was they, not you, who did this thing. Won that battle. Overcame some odd. When Americans look back at WWII and say, WE DID THAT, you really didn't. People who are dead did that, and I'm willing to bet that whatever qualities got them through those experiences have long since leached out of your high-fructose blood. It was a different time. It's not transferable.
Everyone wants to do that and in some part I
understand. Nationalism or
whatever. And we do often exist in the
climates created by our predecessors, so maybe sometimes it is more relevant
than I imply. But if you want to take
credit for the highlights, then you have to agree to be culpable for the fuck
ups too, no? Americans wanting to feel
responsible as a “race” for ending WWII, for example, are also going to have to
be the ones who signed off on all the murder & brutality that didn’t happen
for a good cause. I would not recommend
that trade.
So not only because of the overt racism that is tied up in it, this Confederate pride thing that still occurs in the south is totally outrageous to me. It's such an incredible joke to make a community tie out of. Especially since it literally amounts to taking personal credit for going to war for a variety of idiot reasons and having an entire generation of people slaughtered and ruined because of it, then not even winning, and then having your home turned into a cesspool babylon that it still kind of is. So let's fly the flag and remember the lynchpin of that downfall forever.
I mention that only because in Margaret Mitchell's day, it still kind of was "their" war. Things that had happened fifty years ago still had measurable impacts on the daily lives of those still remaining and on later generations. Wounds were fresh and personal. Firsthand war experiences still walked the earth. I don't think anyone but she could have written that book or anything like it, being at the forefront of that experience, and a sick and sensitive child to begin with, absorbing all those feelings and reflections.
Oh, and she was a super babe, too.
Showing posts with label gone with the wind. Show all posts
Showing posts with label gone with the wind. Show all posts
Monday, July 1, 2013
Tuesday, June 12, 2012
In the scene, a girl is weeping and is offered a handkerchief, at which point she thanks the offerer and notes that she never seems to have a handkerchief in times of crisis.
Like when Rhett gives his handkerchief to a tearful Scarlett while noting that he has never known her to have one during any of the many crises of her life. So mild a moment, yet so obvious.
I finally had to research this on the internet, and found that I'm not the only one identifying these scenes. See? I was starting to wonder if I just see GWTW where it isn't, which would of course be strange and unfortunate.
Regarding Downton Abbey, I am particularly enjoying this because of the era, but it is taxing to care about a soap opera. Something is always HAPPENING. Also, I'm still watching the prior season, and I'm not sure if other people know this, but the internet contains lots of spoilers for television shows. So that's also a problem.
Saturday, June 2, 2012
FYI
Downton Abbey ripped a whole scene from Gone with the Wind.
I noticed. I'm sure other people did too, but I'm not quite pitiful enough yet to seek out some forum and bitch about it to the rest of my 60 year old soap opera watching Ashley Wilkes loving (they do, I don't) sistren, so I'm going to compromise and bitch here.
Downton Abbey has been around for a while, but I have just noticed it. It reminded me of BBC's Manor House at first, but turned out just to be a very well done Edwardian soap opera.
It was the scene where Matthew or whatever asks Mary to look after his fiancee if he dies in a war. They are in love with each other ~but won't say so~ and so he asks this stupid thing of her and she accepts with much hesitation and agitation. "Fine, I'll look after Melanie, er, whatever her fucking name is."
Melanie is, of course, the name of the character in GWTW, whom Ashley (not a female) asks Scarlett (not a stripper) to watch over if he's killed in a war. Because it's the same scene.
GOD NEVERMIND

"No, I will not babysit your bitch wife! Ok fine, I will."
I noticed. I'm sure other people did too, but I'm not quite pitiful enough yet to seek out some forum and bitch about it to the rest of my 60 year old soap opera watching Ashley Wilkes loving (they do, I don't) sistren, so I'm going to compromise and bitch here.
Downton Abbey has been around for a while, but I have just noticed it. It reminded me of BBC's Manor House at first, but turned out just to be a very well done Edwardian soap opera.
It was the scene where Matthew or whatever asks Mary to look after his fiancee if he dies in a war. They are in love with each other ~but won't say so~ and so he asks this stupid thing of her and she accepts with much hesitation and agitation. "Fine, I'll look after Melanie, er, whatever her fucking name is."
Melanie is, of course, the name of the character in GWTW, whom Ashley (not a female) asks Scarlett (not a stripper) to watch over if he's killed in a war. Because it's the same scene.
GOD NEVERMIND

"No, I will not babysit your bitch wife! Ok fine, I will."
Friday, May 11, 2012
BREAKING NEWS: How I feel about some dresses
Doesn't anyone care about anything important? Like the condition of the dresses that Vivien Leigh wore as Scarlett O'Hara in Gone with the Wind. Apparently lots of people do, because $30,000 has been drummed up to preserve five of them.
The dresses were not made to last, and apparently they have endured some poor treatment since the film wrapped. The velvet curtains gown and the red sequined gown (and certainly others) have been altered several times over the years, particularly in the waists. I can just see the rich ultrafans who had that done, parading around their houses rattling off about great balls of fire and having the time of their lives. Eh, act like you wouldn't.
I don't really like these five dresses that much. I think the curtains gown is a little ugly, and the red gown doesn't look like anything anyone would have worn in that century at all. It's so slim and really just belongs in a stage show in Vegas. The one I do like is the wedding dress, pictured below, because I like that creamy satin. It would not have been fashionable at the time, which was the point. It was her mother's dress that she had to wear in her rushed wedding to nerd Charles Hamilton, whose offer she accepted just to show up the guy she really loved, who didn't give a shit what she did anyway. Drama! I particularly like the lines during the wedding scene that basically go: "Uh oh, why is the bride crying?" "She's probably just so totally happy. Congrats, honey!"
I also really like the dress she wore at Christmas when Ashley left. I can't find a picture of it because she's only in it in one scene, and it's green, and try finding a picture of a green dress of hers that isn't the curtain gown or the barbecue dress. I mean reallyyyyyy.
I like the dress in the opening scene, because it is flouncy as all hell and why not? This one:
Oh! Well...okay. Apparently there's a "slutty Scarlett" Halloween costume out there. It's missing the bottom, though? Confused. Sidebar, I don't really understand this sort of rubbery looking tanned skin that all the porn girls have. It kind of reminds me of Barbie heads. Is that the idea? Do people actually like that, or do the girls just think they do and copy each other? Is orange skin just an easy to identify indicator that "porn will happen here soon"? I just can't figure it out.
I find that other people don't often like the stuff that I really like, and vice versa, so this Gone with the Wind thing is kind of fun, because I'm just one of millions of people who have this entire movie committed to almost perfect memory. It's an easy way to relate to other women, particularly older ones with whom I would have nothing in common with ever, not that I've really tried playing the GWTW card on any of them. I recently aced a quiz on it on The Pioneer Woman's blog (yes, I read it, but the wholesomeness really drives a person off after a while) but did not win because, of course, there are a jillion other people out there who are like, "What were the Tareleton boys' first names? Oh shit, I didn't know this test was FOR BABIES."
All of my grandmothers had this complete functioning knowledge of the movie as well. It was something you knew about and referred to casually at any time, such as to compare the behaviors of your family members to fictional characters as though they were actual people that you knew. Not weird.
I like the idea of the book and movie as a cultural touchstone, or whatever. Find a better word for it some other time. For example, my grandmother's story about seeing the movie soon after it came out. It was on a date, and they had to drive some distance to a proper town to find a theater showing it. A year and a half later, the boy was dead overseas in WWII. 60 years after that and she's still naming pets after characters, particularly her box turtle, Aunt Pittypat, who still lives.
The dresses were not made to last, and apparently they have endured some poor treatment since the film wrapped. The velvet curtains gown and the red sequined gown (and certainly others) have been altered several times over the years, particularly in the waists. I can just see the rich ultrafans who had that done, parading around their houses rattling off about great balls of fire and having the time of their lives. Eh, act like you wouldn't.
I don't really like these five dresses that much. I think the curtains gown is a little ugly, and the red gown doesn't look like anything anyone would have worn in that century at all. It's so slim and really just belongs in a stage show in Vegas. The one I do like is the wedding dress, pictured below, because I like that creamy satin. It would not have been fashionable at the time, which was the point. It was her mother's dress that she had to wear in her rushed wedding to nerd Charles Hamilton, whose offer she accepted just to show up the guy she really loved, who didn't give a shit what she did anyway. Drama! I particularly like the lines during the wedding scene that basically go: "Uh oh, why is the bride crying?" "She's probably just so totally happy. Congrats, honey!"
I also really like the dress she wore at Christmas when Ashley left. I can't find a picture of it because she's only in it in one scene, and it's green, and try finding a picture of a green dress of hers that isn't the curtain gown or the barbecue dress. I mean reallyyyyyy.
I like the dress in the opening scene, because it is flouncy as all hell and why not? This one:
Oh! Well...okay. Apparently there's a "slutty Scarlett" Halloween costume out there. It's missing the bottom, though? Confused. Sidebar, I don't really understand this sort of rubbery looking tanned skin that all the porn girls have. It kind of reminds me of Barbie heads. Is that the idea? Do people actually like that, or do the girls just think they do and copy each other? Is orange skin just an easy to identify indicator that "porn will happen here soon"? I just can't figure it out.
I find that other people don't often like the stuff that I really like, and vice versa, so this Gone with the Wind thing is kind of fun, because I'm just one of millions of people who have this entire movie committed to almost perfect memory. It's an easy way to relate to other women, particularly older ones with whom I would have nothing in common with ever, not that I've really tried playing the GWTW card on any of them. I recently aced a quiz on it on The Pioneer Woman's blog (yes, I read it, but the wholesomeness really drives a person off after a while) but did not win because, of course, there are a jillion other people out there who are like, "What were the Tareleton boys' first names? Oh shit, I didn't know this test was FOR BABIES."
All of my grandmothers had this complete functioning knowledge of the movie as well. It was something you knew about and referred to casually at any time, such as to compare the behaviors of your family members to fictional characters as though they were actual people that you knew. Not weird.
I like the idea of the book and movie as a cultural touchstone, or whatever. Find a better word for it some other time. For example, my grandmother's story about seeing the movie soon after it came out. It was on a date, and they had to drive some distance to a proper town to find a theater showing it. A year and a half later, the boy was dead overseas in WWII. 60 years after that and she's still naming pets after characters, particularly her box turtle, Aunt Pittypat, who still lives.
Sunday, May 8, 2011
Parlor Photos

The back of this stereoscope says "Aunt Josephine Robillard," so I assume she is my great-great aunt as this item came from my great-grandmother's collection. I love indoor photos of this era. There is so much crazy clutter, you see photos and memorabilia tacked all over the place and it's fun to zoom in and check it all out. I do recognize the woman in the photo above her right shoulder as my great-grandmother Celina Robillard. Although there is so much never to be known, I suppose it is decent that I know what I do about these people.
I traced these Robillards to Montreal and no farther, although by the time this photo was taken, my branch was in Spearfish, South Dakota. My grandmother was the original Gone with the Wind fan in our family and, when discussing her mother's family, would always toss in that "we" were Robillards just like Scarlett's mother Ellen O'Hara had been. I just nodded soberly; it was true. When I was very young and before I had read the book, I took that comment to mean that the characters in the story were real and that we were related to them.
HISTORICALLY THEMED FICTION NERDOUT REALITY CHECK.
Subscribe to:
Posts (Atom)